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Photo: Workshop participants take advantage of Belfast’s public art chairs while doing fieldwork.
Heart & Soul Community Planning is rooted in the idea that people share common values when it comes to what makes their cities and towns unique. Although the language people use may be similar across communities, the specifics of what people mean by that language can be quite different from place to place.
So how do you get beyond nebulous conversations about “sense of community” to a shared understanding of the specifics of your town? You get on the ground and figure it out.More
Photo: Pincurbia, the Pop-up Park
The Atlantic Magazine recently printed an article titled “Temporary is the New Permanent.” It explains that in our current economic climate, with cities low on cash and an abundance of empty lots and abandoned buildings, temporary projects are taking off. Why?
Because land owners and bureaucracies are often more willing to sign off on non-permanent creative projects that can be easily adapted or scrapped than long-term, infrastructure-heavy projects, which tend to be more expensive and less easily altered. It’s a matter of practicality. Another huge plus is that grassroots organizations, architects, designers and volunteers who want to impact their communities can take a much more active role in such projects.More
Photo: Walden Pond, Creative Commons
I saw a girl today wearing a t-shirt bearing the slogan, “If you don’t have it, you don’t need it.”
My first thoght was, Probably true. My second thought was, Only in this country would a shirt like that read like a poignant insight. My third thought: If that’s the case, so much for capitalism and the market economy. And then with a smidgen of sarcasm, What are we all so worried about?!More
After spending ten days competing in the Department of Energy’s Solar Decathlon competition in Washington D.C. with the Middlebury College team, I’m convinced that the family unit remains the strongest force in our communities today.
Nineteen international collegiate teams participated in the competition, designing, building, and operating houses completely powered by the sun. These houses were displayed for ten days in a public exhibit at the West Potomac Park, educating people about solar energy, while exhibiting that highly efficient, livable homes are sensible and affordable in the domestic realm.More
There is no shortage of artists using the tools of their trade to create social change. But each time I run across a story about Lily Yeh, acclaimed visual artist and founder of Barefoot Artists, I am humbled and inspired by her work, using the power of art to revitalize impoverished communities.
As Lily describes in a recent interview with David Kupfer, “Making art in destitute situations is like making fire in the darkness of a winter’s night. It gives out warmth and light; it beckons and rekindles hope. It does not directly solve problems but it creates a fresh, nurturing environment in which new possibilities and methodology can emerge.”
“My work engages people, whose participation ensures its sustainability. This is why I call my art living social sculpture. It usually begins with making art with people; it then expands to include other activities such as storytelling, education, construction and economic initiatives. The living fabrics of communities become the canvas of my work, creativity its fuel, people’s talent and imagination its palette and tools. In the poor communities where I have worked, this process often leads to an improved environment, a better quality life, and a sense of joy and hope for the future.”More
You may remember the children’s story...
Two soldiers walk into town empty-handed and in desperate need of a good dinner. The stingy villagers won’t invite them in to dine, but when the soldiers start cooking up a batch of Stone Soup, the villagers get curious and toss in a carrot here, a potato there, just to see what happens. Yadda, yadda, yadda...
In no time at all, the whole village settles in to enjoy a feast—and a community—cooked up seemingly out of nothing.More
Yes, Thomas Friedman has done it again. He’s made me say “YES!” and “THANK YOU!” aloud to myself in my office.
Why? Because he’s “all stocked up on crazy,” and so am I. Friedman's New York Times Op-Ed column “Is It Weird Enough Yet?”, published on September 13, cuts to the quick of the absurdity and ignorance of recent (and past) claims that climate change is “some fraud perpetrated by scientists trying to gin up money for research.”
I happened to be reading this column while listening to The Climate Reality Project, a 24-hour, live, worldwide stream (currently in its 21st hour) featuring experts and scientists from 24 time zones. One of these scientists was explaining that with each degree of warming, the atmosphere can hold more water—an unsettling percentage more that I have since forgotten, or blocked out.More
Photo: Matt Kiedaisch
Many Vermonters haven’t had the time or space to fully process the destruction caused by Tropical Storm Irene.
They’re either still completely cut off from the world without services of any kind, they’re struggling to get access to critical supplies and services, or they’re in the throes of a massive cleanup effort—one likely to last for weeks, even months to come.
I’m one of the lucky ones, able to watch from the safety of a community not badly affected by the storm. My home is dry, my family safe—sadly, not the case for so many of my fellow Vermonters.
It’s not every day this small northeastern state lands a top story in The New York Times, and I wish it didn’t have to happen as a result of such severe devastation. (There are countless positive Vermont stories that merit national headlines and the attention of people across the country.) But, as is often the case, out of the seemingly impenetrable layer of bad news have sprouted some uplifting shoots of goodwill and true grit: the stories of regular citizens going out of their way—and in some cases, putting themselves in serious danger—to help each other.More