As students returned to school this fall, I began to notice things were just a little bit different.
There were all the usual signs of school starting up: sidewalks lined with young walkers, streets sprinkled with bikers, baseball hats turned backwards, colorful backpacks, glittery hair ribbons and flashy footwear.
Children not quite school-aged were walking with their older siblings, anxiously waiting for the day when it will be their turn to have a backpack over their shoulders. Flowers were blooming at school entrances, and inside, freshly waxed floors shined.
Yet something still seemed just a little bit different.More
Storytelling has caught on as a means of social change and civic engagement in the last five to ten years, and has been a popular practice for, well, pretty much forever. Consider the use of slave narratives in the US abolitionist movement, or popular theater performed from early on in the farmworker movement.
Anyone reading this blog has probably thought about how stories can motivate people to volunteer or donate money; a personal narrative tugs at your heart and compels you to help out.
Perhaps less obvious are other applications of storytelling that change the way people interact within communities: to assess a community’s needs and strengths (Orton’s Heart & Soul is a great example); to organize people in a group (consider Marshall Ganz’s “Public Narrative” method, adapted by the 2008 Obama campaign); to educate the public (such as Voice of Witness does with human rights); or to advocate a cause (examples include the grantees of the Health Media Initiative of the Open Society Foundation).More
Guest blogger Hannah Orcutt is a former Orton intern now based in the Teton Valley. She recently got in touch to let us know that the impacts of the Heart & Soul approach are still making a difference in Victor.
Victor, Idaho (pop. 1,500), one of the Foundation’s early Heart & Soul project towns, is home to the Teton Valley Community School (TVCS), where I currently work. A central tenet of the school’s philosophy is that community involvement is important.
The Victor community serves as a dynamic classroom for our Pre-K through 6th-grade students. TVCS’s unique project-based curriculum lets teachers harness regional expertise and events as learning tools. The community benefits from our projects, and students learn to be engaged citizens.
It’s a win-win that has resulted in a young generation of active movers and shakers in the Teton Valley.More
When the Foundation was first developing its Heart & Soul program back in 2007, we convened a group of thought leaders from various disciplines to help us define how to improve community planning in America. People who have dedicated much of their lives to change-making in their fields, including social ecologist Jim Kent and landscape architect and sociologist Randy Hester, joined us one late-September day to wrestle with this question: How could we build a radically different chassis for driving community decisions—one that is citizen driven and based on what residents value most?More
Our atmosphere’s getting all gunky.
And climate change makes us feel funky.
But we’ll change our fate!
And celebrate with Chunky Monkey!
Even if you don’t have a clue what Vermontivate! is, there’s a good bet that an initiative that plasters this limerick on their homepage has got to be fun.
Read on and you discover that Vermontivate! is a community energy game—an interactive way to get people to conserve energy. Players compete to earn points for their town. Change an old tungsten bulb to a compact fluorescent, collect points. Start composting, more points. Reduce your household consumption of paper products by half...total pointfest. Install solar panels and you’ve hit the point equivalent of the carnival strong man bell. Basically, do anything you can think of to lessen your dependence on fossil fuels to compete for the grand prize: a Ben & Jerry’s ice cream party hosted in a local gathering place.
Why play Vermontivate!? The website makes it clear: “(W)e believe that by having fun and building community, we stand a good chance of helping each other reduce the impacts of our energy consumption AND bring hope and infinite possibility to the beautiful land of Vermont. And the world.”More
If your community were an orchestra, what would it sound like?
This is a question the Brooklyn Philharmonic seems to be asking as it roamed the boroughs of New York City this summer. Led by a new artistic director, Alan Pierson (better known for his work with Alarm Will Sound), the Philharmonic has decided to take the show on the road—a nomadic impulse you wouldn’t expect from an orchestra. And the program changes to reflect the culture of each neighborhood they visit. From a New Yorker article on the subject:
“In the Russian-speaking precincts of Brighton Beach, the orchestra played Soviet-era cartoon scores. In the sleek enclave of Dumbo, the orchestra featured pop-based musicians who are trying out classical techniques….”More
This is an exciting month for the Orton Family Foundation and CommunityMatters®. To help you understand the significance, bear with me as I hit the reverse button.
In 2007 the Foundation held a national conference in Burlington, VT, which we named CommunityMatters. The new name reflected an important principle underlying our work—that is, the need for people across divides to come together to pursue change collaboratively. The Foundation was developing its Heart & Soul approach and others had their own ideas and methods, but CommunityMatters was about achieving greater change collectively than we could individually.More
The death of Maurice Sendak this week has gotten me thinking about why his books have made such an impact, and why as a nation we are registering his passing as a significant cultural loss.
I think, in large part, it’s because his books are not about a world in which there is obvious good or obvious evil, where the bad guys get outwitted and it all turns out okay in the end. His heroes are often misbehaving misfits of one sort or another who do what they can to escape the confines of their particular reality.
In short, he writes from a place of difference or disadvantage. We are invited to sympathize, and even root for, those least acceptable to society. For children, who are so often misunderstood, there is something very gratifying about this.More