By Becky McCray
Over 300 people from 38 states gathered in Iowa last month under the banner of the first Next Generation Rural Creative Placemaking Summit. What generated all that excitement? And what does it mean for your town?
First, let's tackle placemaking. It's a bit of a buzzword itself. Placemaking means local people working together to make the public spaces in their town better, with a focus on building a stronger community. Public spaces are all the places we share, like downtown, parks, squares, sidewalks, streets, and more. These all belong to us. They are the places where community building actually happens. It's really about our shared quality of life.
Now that we have placemaking, what is creative placemaking? It's still about local people working together on public spaces to build community. What's different is the focus on using our creative skills, our arts, crafts, music, and everything creative, to improve our quality of life.
Why rural? That is the most exciting part, to me. We are seeing an entire movement emerge that's focused on small towns and rural places and how the arts help make rural places better.
What does rural creative placemaking look like?
Here are some examples that came up at the summit:
Finding Allies, Involving Everyone
While I was at the summit, I was struck by how similar the conversations with artists and creatives were to conversations I have had with chambers of commerce, economic developers and all kinds of civic-minded local businesses. I wanted to bring the creative types together with the business types to see if we could bring the conversations together and take action with more people locally.
So I created a checklist of local organizations to help you find other groups in your rural place who might want to talk with you about creative placemaking and better quality of life. There's also a short video with a little explanation. Find them both here: http://saveyour.town/rcp/
What creative placemaking ideas do you have for your community? Can you envision any unlikely alliances like poets and wrestlers?
About the author: Becky McCray started Small Biz Survival in 2006 to share rural business and community building stories and ideas with other small town business people. She and her husband own a retail liquor store in Alva, Oklahoma, and a small cattle ranch nearby. Becky is an international speaker on small business.
Summertime is small towns is marked by celebrations. We unfold our chairs in the park to take in a concert or find a place along sidewalk to watch the parade of floats and fire trucks go by. And who doesn’t love the fair with livestock shows, tractor pulls and rides?
To capture these sweet moments we asked our Heart & Soul towns for images of their summer celebrations. Here’s a slideshow.
What’s your favorite summer celebration? Let us know and post to social media with #HeartandSoulSummer or email to us at firstname.lastname@example.org.
As students returned to school this fall, I began to notice things were just a little bit different.
There were all the usual signs of school starting up: sidewalks lined with young walkers, streets sprinkled with bikers, baseball hats turned backwards, colorful backpacks, glittery hair ribbons and flashy footwear.
Children not quite school-aged were walking with their older siblings, anxiously waiting for the day when it will be their turn to have a backpack over their shoulders. Flowers were blooming at school entrances, and inside, freshly waxed floors shined.
Yet something still seemed just a little bit different.More
Storytelling has caught on as a means of social change and civic engagement in the last five to ten years, and has been a popular practice for, well, pretty much forever. Consider the use of slave narratives in the US abolitionist movement, or popular theater performed from early on in the farmworker movement.
Anyone reading this blog has probably thought about how stories can motivate people to volunteer or donate money; a personal narrative tugs at your heart and compels you to help out.
Perhaps less obvious are other applications of storytelling that change the way people interact within communities: to assess a community’s needs and strengths (Orton’s Heart & Soul is a great example); to organize people in a group (consider Marshall Ganz’s “Public Narrative” method, adapted by the 2008 Obama campaign); to educate the public (such as Voice of Witness does with human rights); or to advocate a cause (examples include the grantees of the Health Media Initiative of the Open Society Foundation).More
Boston is changing rapidly, by-and-large for the better. There are cranes everywhere. Our population is growing. We’re revitalizing old neighborhoods and building new ones. But, as even expert planners acknowledge, artists and young adults recently out of college can’t afford to live and work here. My neighborhood has lost its middle class.
There are public housing units, high-end condos and expensive single-family residences, but very little in between. Elsewhere, preservationists struggle to save historically important neighborhood buildings while others bemoan the lack of cutting-edge architecture.
I enjoy thinking about how cities grow and change. I keep up to date on the Boston Redevelopment Authority’s (BRA) latest decisions, have weighed in on development proposals in neighborhood forums, and served on a “citizen advisory committee” when the BRA rezoned a broad swath of my neighborhood.More
On August 28, 2011, US Route 100 leading into the mountain town of Rochester, Vermont simply ended. And so did every other road leading in and out of town. That was the day Tropical Storm Irene washed away roads and bridges and homes throughout the region, leaving 13 towns cut off from the outside world. It was hours before anyone managed to get in or out of Rochester, and even then only by ATV and on foot. It was days before most people could communicate with anyone outside of town. It was weeks before power was restored and roads were passable to anyone other than emergency crews.
This is the last in a four-part series adapted from the book Slow Democracy: Rediscovering Community, Bringing Decision Making Back Home by Susan Clark and Woden Teachout (Chelsea Green, 2012).
Some people are uncomfortable talking about power. While power is the currency of political activists, it’s a dirty word to many of us—like “money,” it is not mentioned in polite company. But listen for words like “influence,” “impact,” “authority,” and “control,” and notice how often they come up. Ultimately, power is a crucial element of democracy and something we need to acknowledge and discuss in community decision making—early and often.
It would be helpful if every decision-making process came with its own “power gauge.” Imagine a dial like an old-fashioned speedometer that would tell us how leaders answer the question, “Who makes the decision?” At one end, the dial reads “Me”—the leader holds all the power. In the center, “We”—decisions are made together. At the far end, “You”—citizens make the decisions. Exactly where the needle quivers on this dial should be clear to every leader who plans to engage the public, and to every citizen before he or she commits time to the process.More
This is the third in a four-part series adapted from the book Slow Democracy: Rediscovering Community, Bringing Decision Making Back Home by Susan Clark and Woden Teachout (Chelsea Green, 2012).
The scene at the public hearing is all too familiar. A tired-looking panel sits in front of the auditorium at a table cluttered with documents and microphones; although the room is full of chairs, most are empty. Citizen questions and discussion are not encouraged, testimony is polarized and tempers flare.
The “public hearing” is one of the most-used citizen participation processes in the United States, with many local and state governments legally mandated to use it. But leaders and citizens are often frustrated by the format.
While originally devised to improve participation, hearings are too often framed as contests between points of view. They’re not structured to seek common ground or collaboration, and occur too late in a process to be taken seriously.More